In Peace Adzo Medie’s debut novel, His Only Wife, a young Ghanian woman leaves home for the promise of the metropolis of Accra. But upward mobility comes with a price.
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A nameless woman enters a hotel room. She’s been here once before. In the years since, the room hasn’t changed, but she has. Forever caught between check-in and check-out, she will go on to occupy other hotel rooms. From Avignon to Oslo, Auckland to Austin, each is as anonymous as the last but bound by the rules of her choosing.
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Silvia Moreno-Garcia’s Mexican Gothic offers a refreshing departure from stereotypical themes and a scathing critique of the colonial point-of-view that makes them so ubiquitous.
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